Showing posts with label ambiguity. Show all posts
Showing posts with label ambiguity. Show all posts

14 April, 2009

Obsessed

Or maybe just loyal.

I light of the many and disturbing revelations being made these days under the general rubric of "torture," I feel increasingly compelled to point where I can to clear-headed accounts of what has been the neo-American position and tradition on torture in recent years, and its high distinction as a mode of interaction between people.

Consider this digest of the ICRC Report on the Treatment of Fourteen "High Value Detainees" in CIA Custody in last week's New York Review of Books (with thanks to John Wirenius for pointing it out). Also

One of the most obvious distinguishing characteristics of American-style torture is the ambivalence of its enablers. Seldom has so edifying and concrete a term been so cavalierly double-spoken by its practitioners. "Enhanced interrogation techniques", indeed. Nothing so sullies any act as shame, and nothing is quite so neo-American as absolving ourselves of our bad behavior by professing our self-loathing. In principle, however, this is less neo-American than a first-world updating of the old passive-aggressive Puritan two-step, known better to historically liberal sensibilities as moral cowardice.

What makes it moral is that it is an act of will; the will to purity. What makes it cowardice is that, while Puritans of all stripes love purity, Puritans generally dare not speak the name by which such love would be reified, namely the destruction of the impure ("Death to the infidel!" notwithstanding). Nietzsche ennobled the will to power ("Machtgelüst") in several of his works, and noted that it was as characteristic of enfeebled ascetic types as it was of robust, pro-creative types. Only one of the two could, however, be said to be an honest broker of their intentions.

In the present case our elected leaders have been too ashamed to call what they were directing what everyone already knew it was; as though it's not torture when we do it (and heaven forfend it should be looked upon as simple sadism). To give a moment's benefit of a teeny, tiny doubt, perhaps torture is such a definitionally gray area among those at the levers of power that other world leaders and international bodies were understandably cautious in their observations and condemnations of neo-American behavior. Is the nature of leadership power a contingent property of the threat of torture (the so-called "deterent effect" so beloved of penal-industrialists, gun nuts, drug warriors and sabbath gasbags)? Maybe, and maybe if you're a leader you have to deal with the possibility you'll have to use that threat someday. Maybe we've all been reminded lately that it's not just a threat, and that we should be careful about what we sign up for when pulling our own little levers, like on voting machines.

It's certainly no mistake nor should it be a surprise that clear reportage on torture is just now emerging - directly on the heels of the departed regime (the ICRC Report is dated early 2007, but was just released within the last month). Although it clearly advantages them to discredit the previous regime, I have been impressed by the new Obama administration's forthright use of the word "torture" to describe what has been going on, to permit open and transparent debate on the matter within its ranks, and to allow that it's going to take some time to clear it up. It's the antithesis of the earlier view, free of moral absolutism and capable of working the ground between the polarities of purity on both sides; the pro-"enhanced interrogationists" and the Human Rights Watch-ers. It's smart and utterly impure stuff, the first we've seen of its kind in a long while.

In the BDSM world view, what we do and our experience of it we call sadism, plainly. It's focused, directed energy between two people for an instant or an hour, it's intended to register as an unconventional sensation (conventionally called "pain") and to shift the recipient's frame of reference - psychic, emotional, corporeal. The rope bondage I love so much I consider to be especially capable in levering all of the above, through the surfeit of time required to do it, through the symbolic and actual connections, and through the symbolic and actual suffering of physical restraint. What happens in that space is unconditioned, and it's not always good, but the disposition toward its potentials has to be non-normative or what you've got is failure before the fact. In positive terms, one has to have a bit of a liberal world view to get what BDSM has to offer; to be honest of intent and to gladly suffer uncertainty of outcomes.

For all of a top's activity inside a scene, the benefits of the frame shift accrue equally (if not in greater measure) to the receiving party, and this, apropos my last post on the subject, is another characteristic marker of BDSM. It ain't BDSM if the lever you're using extracts power from the exchange.

That would be torture.

04 April, 2009

Is It Torture Yet?

Consider the ethical dilemma of meat-eating on page 310 of Michael Pollen's brilliant Omnivore's Dilemma :
"To (Benjamin Franklin's ) argument 'other animals eat meat', the animal rightist has a simple, devastating reply; Do you really want your moral code based on the natural order? Murder and rape are natural, too. Besides, we can choose: Humans don't need to kill other creatures in order to survive; carnivorous animals do."
To this I reply that a moral code based on the natural order is apt if for no other reason than our ability to conceive of rights is also natural. If we endorse the natural ability to choose as being in the order of things, but exclude choices based on selective observation of the natural order, then we have only deepened our dilemma.

Coming obliquely yet again to my point, I wish to observe that empathy is the determining ground of torture.

Think about it. Other animals kill outright, and if they don't kill outright they linger a bit over their prey's demise, perhaps to sustain the rush of the hunt, perhaps naively. As agonizing as that may make the death of the poor creature in a predator's clutches, ethically it does little more than make sport of the act, but not torture. I think it's safe to say that in as much as a motive may be imputed to any predator (other than humans) it has to do with getting the kill.

Humans do stalk, hunt and kill for sport, but we also do these things for utterly bureaucratic purposes as well, and then often with no intent to kill. Torture, the blandly procedural visiting of engineered suffering upon another person, serves an end but is seldom the end itself, various religious and political manias notwithstanding. Even in the case of an event such as the famous Inquisition during which the infliction of lethal suffering putatively served some ennobling end (say, salvation), it's fulfillment was contingent on the recipient's confession, renunciation, or what have you - the externalized criterion. I have to doubt that it's ever been recorded that any prelate who committed or suffered to be committed the laying of a lash on the hapless back of an innocent owned up to a simple will to be an agent of suffering; the mission of the priestly class (always a dangerous and uniquely religious confection) was, and still is, the legitimizing pretext.

When the visiting of pain is the end itself then what is happening is sadism, and the distinguishing mark of its humanity is empathy. Want of empathy mixed with externalized criteria (e.g., renouncing Satan / al Qaeda / le diable du jour) to which the engineered suffering is suborned is torture. While in the popular consciousness the space between sadist and torturer is ethically gray, and doubtless there is plenty of room for crossover, the unfriendly, oafish, often pathological, and as often statist, mode of hurting others favors the term "torture".

Sadism is an intimate act. To be sadistic is to stay close to the authentic feelings of one's partner in the act, and in an sado-masochistic context a sadist's partner would nominally be a masochist, but not always. Many are the partners with whom I've shared an intense experience who would never identify as masochistic. They have no fondness for the pain they experience as a product of my depredations, but they take it in and work out their ultimate triumph over it, often by absenting themselves from it, but, again, not always. Sometimes it ends up just being a long effort of endurance. It is often more difficult for me to be cruel to someone I know derives nothing of value from pain qua pain. Their psychic, emotional and physical machinations within our exchange are more complex, less scrutable to me, and thereby in a sense more demanding of my empathy, with which I often feel myself responding profligately, if not always evenly.

Throughout, the ends served are uniquely contained within the exchange between partners, whether pain is intended, or at all the object of the proceedings. As often as not, a partner will tell me that their objective was to witness how much I pack into my love, and how unconventional I can make its expression. To quote a recent email from a lover of many years past, speaking to her perceptions of my approach:
"One thing it's definitely not is ordinary - you're like an anti-Valentine. Your affection was always tailor-made to me, however fucked-up it looked to anyone else (and it did and still does), and it sucked sometimes, it hurt so much, but it was pure and I always thought it was my own. It's unforgettable because it's unimaginable."
That was long enough ago for me to blush at what she was referring to and my own ineptitude at that time. Then I was not clear that what I was doing was not torture in the most venal meaning of the word, and this lover would not turn out to be masochistic in the end, although she was working on figuring that out through our play, much as I was figuring my way through my conflicts about being mean with someone I love. What I like to believe she is pointing out above is less so the depravity of our erotic interest in each other and more the closeness and intimacy borne of the difficulty of what we were doing - me naively throwing (nylon!) rope, her asking for it, both of us aroused by our respective uncertainties. I hurt her not quite knowing what I was doing (incompetence plus nylon equals rope burns every time). She got off not on the pain, but on the intensity of my approach and that I would risk any of it on her.

What I understand with the passing of time and the patient teaching of my partners is that what I do with rope, my hands, my cock or any other part of me is far less important than what and how much I'm willing to offer to the space we would fill between us, which in the natural order of things may be the essential import of human eroticism. It's a choice as to how we do who we are, and the choices are pretty much unlimited in the erotic realm, but what they all have in common in order to preserve them as erotic is empathy, no matter the mode of their expression. My expression happens to induce an eruption in the range of human feeling usually given a wide path under most circumstances. Absent empathy what I chronicle in these pages would be torture. With empathy, the adhesive media of human expression that can transform a victim into a participant, there is the possibility of transcendence.

With thanks to Spain, for doing the right thing, and to A. for keeping her old emails.

17 March, 2009

In BDSM We Trust

Silly me.

I have always thought in my anthropologically Pollyannaish way that the possibility of such a cunning and competitive creature as homo sapiens making it this far without exterminating itself speaks to some deeply rooted cooperative impulse. Imagine my surprise in finding out that the received wisdom among evolutionary anthropologists is that social skills and cooperative behaviors developed to better compete with other humans.

Huh? So, the ability to wage war and ultimately to obliterate all life on our home planet is an adaptive improvement on the behaviors of Paleolithic hominidae? Who knew? And how about a species that can completely encode such a trait in but a few thousand years (i.e., a blink of the evolutionary eye)? Despite the credit due our species under this view for collectively mutating faster than A-Rod, the grimness of the entailments I can scarcely imagine (how about this one - North Korea wins).

Who can blame AIG for trying to reverse-hedge the insurance business?

While I would not question the position that competitive pressures within the BDSM social milieu exist and are indeed intense, the success of BDSM as practice once a partner relationship has been established is predicated on something rather less zero-sum, a trait that is apparently being looked upon as theoretically radical, possibly even heretical, among anthropologists.

In a recent New York Times article there is reported a recent shift toward a new direction among careful thinkers in such matters. In a recent monograph, Mothers and Others: The Evolutionary Origins of Mutual Understanding, primatologist Sarah Blaffer Hrdy observes that human babies are uniquely expert in eliciting from their adults deeply suborned evolutionary adaptations, the net effect of which evince to us our own capacity to trust.

The great apes get their progeny up and running on their own much faster than humans; among mammals human infants are unusually helpless for an unusually long period of time. This extended span of rearing is, understandably, rather a lot for any human mother to bear. Thus among the many ways humans cooperate in rearing children is, according to Hrdy, chief among beneficial adaptations. By their wily ways of keeping adults not merely entertained, but largely empathetic to their helplessness, infants provoke and reinforce the expression of the trust trait. This is true for apes, but apes will not generally ask for or offer assistance in the rearing of their young. Humans do, and we generally get a positive (read: non-infanticidal) response from our fellow adults because, well, we all find the little blobs of gristle pretty adorable.

Perhaps we are able on a sub-conscious level to recall our own helplessness as infants, and thereby file our responses to little ones under "empathetic", but according to Hdry we were "nice before we were smart." Even so, we were smarter than other cooperative animals (such as certain birds, wolves, etc. - it's how we managed not to become dinner) before we became fully homo sapiens spaiens some 12,000 years ago. But that's what makes the problem interesting. We had brains that were already cunning, territorial and selfish, and there is much about our behavior even today that augers against evolutionary success, but we seem to have evolved more profitably in the area of trust. Babies express it reflexively, parents recognize the trust their babies show toward (certain, not all necessarily) other adults, and trust the other adults to aid in the rearing of the children.

Of course, as soon as we entered the neolithic era, developed agriculture and settlements, we came up with the idea of territory and, concomitantly, war to enforce its boundaries. The selfish genes entered their ascendancy, but the extant traits for trusting were able to keep pace, and the time spent rearing our offspring has not gotten any briefer in the intervening millennia. As an adaptive trait trust and the sharing of pooled resources is still pretty novel.

In light of all this it's a bit startling to learn that the assumption of anthropologists, sociologists and political theorists has been for generations that humans are primarily competitive, and social adaptations are largely in service of that dominant impulse. Perhaps my rosey colored views can be attributed to my long experience at play in the fields of trust. Loving just one person takes a great deal of trust, and also faith that their love is genuine. The pains of loving fully and well are profound, and faith is required because the pain can so easily be taken personally. Loving many takes an expansion of faith, and the vectors of trust become much more densely interwoven. My wife trusts and loves my partners proceeding purely on the love and trust she sees in me for them (much as I believe Professor Hdry suggests obtains in other loving contexts), and I do likewise with her partners. Trust does much to ameliorate competitive impulses (which have their place in the evolutionary scheme of things once trust has been violated, I suspect).

I think most would agree that it's difficult to trust in just one relationship, much less many. With more than one or in several relationships conscious trust becomes something to which one has to surrender since there is no such thing as stage-managing it. What exactly is it were asking to trust anyway? That we not get hurt? If we're unwilling to hurt then we're unwilling to love. If we submit to trust (to quote the great Peter Gabriel line) we get love, and we get the inevitable pain of love too, but we take it, gladly.

I don't need to spell out the value in metaphor of BDSM play to the case supporting Professor Hdry's theory - I think many readers of this column understand the virtues of trust, of cooperation, of loving profligately and wastefully, and of electing to suffer in love. The demands on, and challenges to, trust in BDSM play are always formidable, and within that sphere I've elaborated on an infantile impulse my conscious mind surrendered over 40 years ago, but which may also be a key trait in shoring-up mankind's evolutionary prospects against its own prodigious inclination for self-immolation.

15 February, 2009

Fine Art 104

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26 January, 2009

Ars non Quanta

With the small exception of the host's denasal sine-wave of a voice, This American Life is among my favorite Public Radio (the last remaining radio) programs. If you're a regular listener you may recently have heard tales from people who attempt to quantify non-rational experiences, expressions and events. Among the many fascinating segments was one, "Paint by Numbers" about a group of artists who sought over the course of many years to determine by polling what it is that people are looking for in their experience of art. The authors chose to limit their inquiry to painting and music.

Immediately I noticed that, with respect to art and art-making, the premise was possibly faulty. Do people precondition their desires for aesthetic experiences? Is it possible to desire a specific aesthetic experience? The artists, with the help of confederates the world over, apparently polled thousands of ordinary individuals in dozens of countries. Regarding paintings, nearly every person polled had an opinion, and within a very early sample certain constants of preference began to emerge. For example, across the board blue is a favored color, landscapes a favored subject (hills on the left, trees on the right), a body of water, and perhaps a political figure (?) somewhere in the mix. With their data the working group then set out to produce a few variations on statistically determinate art.

Every one of the pieces was not only a disappointment to the artists, but when presented in public drew uniform approbation from viewers. The variations were specific to place of presentation (e.g., the political figure in the piece produced for American audiences was George Washington, as uncontroversial a figure to the average American as could be imagined). Upon reading further into the backstory I learned that people in the US were marginally more gratified by other, less familiar, variants - say, Dutch themes - than they were by idioms and places they recognized.

The musical experiment I found even more intriguing (being married, as I am, to a musician). Following the same sampling method the artists polled thousands of people worldwide and came up with instrumentation, styles, voicings, themes and other elements of composition that were then compiled into a series of musical pieces. Most popular was the standard rock / blues combo of guitar, bass, drums, synth and low, slightly gravelly voice (male or female), regular dynamic variation, natural keys, and dramatic climaxes in themes of love and longing. Predictably, least favored among all the possibilities were opera voicings, cowboy music, children's choirs, bagpipe, accordion, death themes, augmented chord structures, flat keys, and so forth.

Of the songs composed according to the success formulation every single one sounded like it had been extruded from a plaque of corn syrup. As with mortgage derivatives and credit swaps, the initial raw goods had been so sliced and diced that the resulting product, designed as it had been to mitigate "risk" and presumably afford a pleasing return ended up having no value whatsoever.

The pleasant surprise came when the composer and his musicians began tinkering with instruments, voicings and themes that respondents had labeled as least favored. You'll have to listen for yourself to hear what they came up with.

Their one effort to assemble all the despised elements (e.g., a lyric soprano singing about life on the range backed by bagpipes and a chorus of urchins) resulted in something that at least the artists found interesting and a significant cross-section of random listeners actually liked.

If you've read this journal for any length of time, you likely already know how I'm going to read this phenomenon: Mostly unsurprising, maybe unimportant, but nonetheless affirming. I was glad to hear it reported in a popular format in any case, for the media outlets that do not follow the numerically predetermined path to capture for themselves and their advertisers the largest quantifiable audience slice possible are few.

The artists being interviewed rightly observe that numbers are entirely ecumenical - they not only do not lie, they cannot. Given a large enough sample, what people say they like in the way of aesthetic experience should, therefore, hold up to testing. After all, if Coca Cola can boost sales of a soft drink by fiddling with its sugar content based on sampling and testing, why should they same method not hold true in application to the several senses?

Numbers can, however, be misapplied. While it's obviously possible to quantify what people have liked aesthetically, what they will like in the next instance is the interesting question underlying our artists' inquiry, and where I think they got their premise wrong. However faulty the premises, in this case I still think the question was the right one, for in a somewhat oblique manner they addressed what may be close to the core of a modern aesthetic malaise, the one every sentient being understands in their bones. In attempting to quantify aesthetic pleasure, to dragoon that most ineffable of human experiences into a business model, we have produced the environmental equivalent of the focus group-derived art above. The proposition is both neatly and grossly endorsed by a visit to your nearest strip mall or government building, or by a listen to any Top 40 playlist (syndicated for decades to local transmitters by centralized industrial operations, such as Clear Channel Communications - a representative of the "music industry". Now there's an oxymoron).

Paradoxically, we yearn most for what we can never know we want. Ask people what they want and they're all too happy to tell you. Net result: HumVees and Zima, McNuggets and boy bands. Ask people what they yearn for and they're likely to describe something they resolutely do not expect. What people seem to find most gratifying is likely to arrive utterly unexpected and in a form they could not have anticipated, laid at right angles to what they thought they knew, such that it prompts a reassessing of assumptions, however slight. Of profound aesthetic experience people allow that they were displaced by it, and that maybe it even included bagpipes and cowboys.

If I may be said to have any religion at all my default is science. Science is, at bottom, an expression of faith in certain codes, however granular and reduced. At the core of the method is mystery, as honest prelates in the assorted -ologies readily confess. I do not have any faith in art, for no faith is required. Unlike conventional notions of spiritual revelation, the revelations of art are practically a commonplace, available 24/7 to the feeling person. The barren calculus of capitalism and production, with its maximizing of yields and scientific reproducibility of results, despises real art and, as we see above, is incapable of producing it.

26 December, 2008

Tie Me to the Ends of Love, Part 4

We spend out lives forgetting perhaps because the apparent truth that the self that gets pumped out into this dimension is somehow inauthentic bumps up almost immediately against biological nature. Nature’s uncaring and fascistic intent for us is to make copies – authenticity be damned. Nature gives us the little incentive called sexual pleasure to make those copies, but, the deeper truth being what it is, just as nature would confound our reaching in the direction of authenticity it also gives us one of the best avenues back to unity that we have, sex, which religion fears because sex trumps orthodoxy (and, hence, power) as a means of ecstatic, transformative experience. Not that devotion doesn’t work at all – millions of mystics have renounced the world to commit their lives to attaining a view of the godhead. But that’s a slow, laborious process. Similar, if not identical, results can be achieved with sex in a fraction of the time. Mysticism is to sex as the abacus is to a Quad-core processor.

So, there you go, nature itself offers up to humanity the sine qua non of spiritual actualization, sexual ecstasy, by marking it specifically as difficult, by making it appear inauthentic, by prompting a forgetting of unity. Thus does the fast track of sex become boggy with cultural and religious ideas of separation and thought-based self-identity, crystallized in the emotion of… shame. In shame sex looses its efficacy, and we can all think of some manner in which we’re thoughtfully disabling our sex with some blockage or other – an entire industry and billions of dollars in chemicals have rallied to meet our shameful thoughts about our sex. We become useful idiots in nature’s plan for our chromosomal proliferation.

That is, unless we don’t.

In a grander sense nature provides the friction we need to get traction, to make our way back to what lies in front of all of us and use that truth now and, instead of hovering just above life, falling fully and intimately into it.

She’s still there, by the way. Still just as tightly tied, somehow managing all this while to have avoided being gagged. And look at that – she is a good girl after all! In all this time I’ve been talking nothing has changed about our Besu and her predicament, except maybe her thoughts. With time and patience, hers and mine, she begins to let thought go and allows her body to be – in pain, dislocated, displaced. She has allowed herself to become unknown to herself, her self has mysteriously abated and left in its stead an opening, a widening which will meet all possibility now, especially that of divine immediacy, of the immanence of love and the enfolding of time and space, the time and the space in which we firmly believed until we shook ourselves loose from it.

For my part, as the top, I stay on the path I started down with her, the one on which she consented to volunteer her freedom, her voice and her self to my designs, my intentions, which, as anyone knows, were always in some sense her own. Among those intentions would be to for me to remove from her senses the veil of familiarity and the known, and challenging bondage is the manner in which I apply myself to my intention, a manner in which she can at every moment of our engagement feel that intention and the collapse of space/time that, if we are able to press forward into true intimacy where things are fuzzy, scary and strange, reveals the authentic nature of self in its obliteration and merging into the other, and by extension, into all things, into unity. With bondage it is to this strong possibility I continually pledge myself and then my self’s subjugation, that I might feel her in and about me and in so doing forget about either one of us.

It’s very similar to exactly what is going on right this very moment between all of you and me. Right now you, this audience, is not an assembly of individuals to me – to me you’re all fused, you’re an audience. With any luck you’ve been having an experience roughly in common of me, the element at the front of the room, the one holding forth hopefully with more authority than pedantry, but hopefully… full of hope and, therefore, vulnerable, open and exposed, with many of my deeply felt and personal truths revealed to others, the audience, my partners, as it were, in this little talk, without whom nothing here would have taken place.

Well, perhaps Besu and I would found our way into a lovely little scene, but you get my meaning.

And that’s how it happens – you show up, you present yourself and you stay present and before you know it you’re in the throes of an intimate experience. Surprise!

In my experience of it, it’s in this way that BDSM can deliver the goods sought after for millennia by adepts, mystics, alchemists… aspirationalists of all kinds and colorations; that being to surrender self, and to gain power and strength in the surrender. Regardless of what two people may actually be doing, when energy is fearlessly offered and intense both top and bottom surrender to the present moment and die to their respective pasts. To relate is to be fully conscious without necessarily being happy. Let the first happen and the latter will follow, get the inside right and the outside falls into place. The B of BDSM, bondage, as fact and as agent, may be no more efficacious than any other sadomasochistic mode, but if it may be said to do nothing else it does stress interiority - the daunting pleasures of going within, for, after all, and perhaps paradoxically, bondage is all about containment. I don’t want to overstate my position here on bondage, for I have a great many other kinks, but I believe that to be in it and to look at it is to have ready and unique access to the primal and essential impulse of being human, to step lightly back into the deeper currents of being, and through the gateway of intimacy as partners welcome a pure intimacy with all things, in every dimension, and in no time.

03 December, 2008

Tie Me to the Ends of Love, Part 3

But what has an ontology of duality brought to human relations? I see an ever deepening, almost therapeutic search for self as distinct from all else that is believed to exist as the final measure of earthly attainment, the ultimate good.

And I’m referring now to the quest itself, for as you’ve noticed the notion of concretely individuated self is (kind of) slippery, and that’s good. What would it mean to actually “tie down” who I really am? Well, if I tie anything down so it stops moving, stops becoming, is, in other words, static, then I can tell myself I know something for knowledge can only be of the immutable and unchanging.

But I would not appear to be those things. I’m always changing. I am, for example, aging. I’m compressing the gap between this very moment and my ultimate non-existence even as I simultaneously open up time and space between having become conscious and this very moment. I understand that I live constantly in relation to my end, my death, what Martin Heidegger called his “proximity theory” of being. Eckhardt Tolle would have me understand my relationship to my end as a brand of intimacy which most people are conditioned to avoid, as it is unmanifested and cannot, therefore, be weighed in thought.

Being, to Heidegger, is a misapprehension of authentic self (as opposed to individuated self); as I noted before we tend to settle for a concept of who we are relative to what we think we know about the world around us. Heidegger, while saying that the ultimate knowable truth is death, elaborates by observing that we do this prejudicially, meaning we construct a self from what we think we know best, what is most familiar, even comfortable, and this leads to a misbegotten notion of self. Our most authentic selves come not from what we know best, but from what is
most mysterious to us, what is darkest, strangest and most inscrutable. We know our authentic selves when we’re on the trickiest ground. Our highest and best selves are unlikely to show up in a Barca Lounger; we do, however, recall proudly the last time we pulled through when the chips were really down.

I would like to extend Heidegger and propose that in life we are processing toward unity, which is the truest course of being, and unimpeachable because we all face the same end, which, despite the most thoughtful efforts of organized religion, is a vast, aching mystery. Thus do we come into the world with an inborn ability to process back to a unified state, for all that is born dies. Being born itself gives us a strong impetus to aim for unity, for the world of the womb is expressive to earliest consciousness of a principle of unity and birth is all about separation, so in a sense the Abrahamic or Judeo-Christian problem of struggling for reunification with God is apt, but only as metaphor. As a way of understanding one’s humanity and of actually getting to God it’s historically of somewhat dubious utility.

So, how to go from unity to separation and back to unity? Well, we all get to unify in the ashes-to-ashes, dust-to-dust episode, the curtain call, as it were, and maybe even then we get to understand the nature of God and being without time, but what about before then, in life? Is it possible?

Through intimacy. Through breaking down what we think we know about self and its separation from other, from our partner. Through abrogation of self and merging, fusing and even joyously confusing the frontier where you end and your partner begins. It is what the Buddhists call compassion... compassion – feeling with. In Heidegger’s native language, mitgefühl. It is in the realization of authentic self, the self that is the other and acknowledges no distinction, no separation. It is being as one, unmediated, undifferentiated, which is available to us in this life, before it ends. No where is it written that we have to wait to know, in fact we’re born knowing and we spend our lives forgetting. That, to me, is what intimacy is all about, forgetting to forget.

26 November, 2008

Tie Me to the Ends of Love: Part 2

Say I have somewhat ruthlessly tied my partner in a position for which she was unprepared. Unprepared? Some might say that’s bad form for a top, and I would beg their momentary indulgence. So, my partner is working hard with this position and is possibly breaking down a little before long... sooner than she’d like... and in recognition of this I add a bit more challenge to the picture, something subtle that shifts the focus of discomfort just enough to take her out of the mind that’s saying “I… can’t… do this…” and put her back into the body that’s feeling more and more with each passing moment.

While I can afford to appear aloof about all this shifty energy, she’s anything but: it’s really uncomfortable now and ere long she might want out, might even get a little irate, but she’s not using her safe signal. In a little while she might get vocally angry, which is easily frustrated with a gag, about which she’d be humiliated on top of her aching for release. But in the meantime we’ll all keep aware for a safe signal, or panic, or, hopefully, fuller and fuller consciousness and presence as her options fall by the wayside.

I may give her a moment’s respite in the form of a glancing, gentle touch, brokering the continuation with a moment’s kindness, as it were, but I'm in close to her suffering, which is now acute and which she's resisting - I sense that she wants to be still in her bondage but it’s hard... she wants to be good but she’s unprepared to be good, to perform as she thinks I want her to perform, as she thinks I want her to be. Thinking about doing something “right” or “well”, or how she can manage the pain or the humiliation. Thinking… thinking… and thereby making the Cartesian blunder of being – cogito ergo sum, I think, therefore I am. But what? What am I? What’s assumed here? Well, first of all a self, a substantial, individuated entity apart from other selves and things. “I” is not only assumed, it's separate, and separate is, of course, anything but intimate. Separate is alienated.

So, now the suffering is more than physical; it’s existential. She’s in her head, figuring how to do what she’s being challenged by to avoid being with the challenge and thereby risking who she thinks she is. She’s the solidly proverbial human doing as opposed to the shifty, ephemeral and maybe chaotic human being. The primary question is now before her, brought by her dangerous lover, someone with whom she would be intimate if she could figure out how. If she could figure her way out of alienation. Always figuring. How to answer? Figuring out what the original question was in the first place… perhaps finally figuring not to figure.

The head, the mind, the brain, the center of ratiocination is the back office of intimacy, it’s where your claims get processed by unfeeling functionaries who insist on procedure and logic ahead of inconvenient and disorderly emotions. As any process-driven bureaucratic organization would do, thinking insists on not only its primacy but on the expansion of its control. Not surprisingly, many of the people I’ve met in the BDSM community are very bright, one might even say brainy. Good with their heads, and, maybe, in the community specifically looking to get out of those same heads a little more often.

So, perhaps rather than militate against intimacy, we simply fall back on familiar and culturally endorsed patterns of dealing with new information – we sort, we categorize, we try to figure it out, we think about things. Think about that; when’s the last time you had an ecstatic experience by thinking about anything?

Maybe some of you are familiar with Eckhardt Tolle’s Power of Now and his concept of the “unmanifested”. The manifested is the reality we think we know and the one we rely on to explain our existence. It’s a relative existence, one in which context is all important. It’s the heir to a long tradition of what I call separationist belief structures, starting with Plato’s ontological division of the world into extensional and ideal realms in the “Cave Analogy” to an interpretation of grace that includes a fall from it - Lucifer’s fall from heaven, man’s fall in the book of Genesis, and with the fall the eternal struggle to return to God’s good side.

Coming into the Enlightenment, this basic principles of separation and alienation are present and operant in Descartes and the worldview he organized so neatly and imparted to, for example, Issac Newton, which in turn gave us Newtonian physics and the calculus and their divvying up of reality into smaller and smaller quanta, ad infinitum.

Already pickled in a guiding existential principle of separation and duality, these leaps forward in human thought to this day look to most folks like unvarnished benefits. Notwithstanding important confirmations in high-energy physics (e.g., Heisenberg and the "Uncertainty Principle") of long-standing theories enunciated in metaphysics (e.g., Liebniz and his "Monadology"), both of which concern themselves with primary substance, and which together are beginning to point to resolution in a non-granular universe, the doctrine of duality continues to advance a world view where parsing thought, method and calculation is practically a religion, one where quality is least of all judged on refinement of feeling and mostly based on reproducibility of results. Not altogether a bad thing, I would say, for it made writing this essay using a word processor a great deal more fluid a project than it might otherwise have been.

20 November, 2008

Tie Me to the Ends of Love: Part 1

This is the text of a lecture I delivered for TES in NYC recently. It is only slightly modified to suit this forum. First the teaser:

Join Mac for a riff on Leonard Cohen of which the poet himself would approve. The ends of love have known many means: chocolate, diamonds, war... bondage? Well, maybe not so much. Until now. From ancient myth to modern neuroses Mac explores what love might have in store for us and how rope helps pin it down. Carve into your desire to bind or be bound and what it means to your ideas of yourself, your partner, your intimacy and the ends of your being. Go straight to the top to get to the bottom of some pretty big issues, expect the usual big words, a little Q&A, maybe a few gratuitous visual aids, and maybe to leave with some new ideas.
***

Thank you all for having me again, and especially to Lolita for her raw determination in getting a date together. I can well imagine that she often gets her partners to stretch and do the sorts of things they might not otherwise, and about which, afterward, they’re grateful.

I’d like to open tonight with a quote from the blog of someone who appreciates many of the same things I do about art, culture, daring, polemic and especially Japanese aesthetics. His name is Tatsuya Ishida, and he’s the author of Sinfest. Here you go:

“Whenever I peel an orange, I save the stem end for last. There's something about pulling out the spine that is very satisfying. Texture-wise, visually, the little plucky squirty sensation, it's a fun little operation to cap the peeling process. That's sort of my modus operandi when it comes to food. I try to leave the best for last. When I have a chicken pot pie, for example, I eat all the carrots and peas first, and leave a stash of chicken for the big finish. When I have a sandwich I work my way around the crust to the middle. I have this shit down to a science. Sometimes, though, it's not so smooth. Things can get complicated. Like, when I'm eating a pancake breakfast with hash browns, bacon, and eggs, I can't decide what my favorite thing is. I panic a little in my heart because I don't know how it's going to end. But that's what life is all about. Thrills, man. Thrills. I start out all confident that I'll end with a bite of bacon but then, the sweet syrupy pancakes start to win me over. Then the hash browns, that unassuming dark horse, make a comeback. And then the eggs are like, "Hey, we're the pure unblemished souls of chickens! Recognize!" At that point, all bets are off. It's anybody's game. I might go with bacon. I might not. Nothing's set in stone. Anything can happen. I know what you're thinking. You're thinking, ‘Tat, you crazy fool! You HAVE to have the last bite planned out AT ALL TIMES!’ But I like to live on the edge, Jack. I take chances. I flirt with danger. That's how I roll.”


Flirting with danger, that’s certainly one way to roll, and, I’m going to submit here that it’s not only a great way to roll but a great way to come to the timeless moment when danger, uncertainty, and the strangeness they engender roll into fusion between oneself and what, until that timeless moment, was another person. This is what I call intimacy.

A big part of success in anything has to do with allowing yourself to be surprised, indeed, being grateful for the leavening and spice of life's surprises, big and small. This is never more true than in relationships, but in principle yielding to surprise solves for what appears to be a host of life's more intractable problems while creating very few new problems of its own. Often events are just surprising and nothing else - not really problems at all if one can accommodate having not expected them.

I’ve been chatting about this idea with friends for a while to see what views I could glean that are different from my own. Rather than definite answers to the question of “what is intimacy?” or “how do you arrive at intimacy?” I have, for the obvious reasons, been interested in the question of whether suffering and displacement are legitimate access points to the realm of intimacy, and, concomitantly, what is that militates against immediate immersion into intimacy if suffering and displacement are indeed effective?

In the BDSM community we’re all familiar with the terms “intimacy averse” or “intimacy challenged”, and if I may presume to narrow these concepts down to something we can work with in the short time we have, let me suggest that they mean something like the inclination to run away, to withhold, or to give the impression of withholding, and, perhaps most importantly, to react with trepidation to a partner’s fullness of feeling in love, be it ecstatic or despairing.

To go into what I mean by “love” is a subject for another day – I’ll allow, however, that love in any universalizable sense of the word, must include an opening of self to the other, a revelation, if you will, where at least in some measure we expose the better, and the worse, angels of our natures to another person. I know that I will develop an intense and poignantly suasive feeling when I am coming unfurled before a companion, and never more so than when I am freely, profligately and perhaps even recklessly reducing their physical representation to me – who they look like, feel like, who they like to think they are. Rope is pretty good for this.

But, coming unfurled in this instance refers to the way in which I become completely honest about who I am in the moment, which is often neither pleasant nor attractive. But it’s authentic and it’s there, and it is fully expressive, and it fronts for me if it is welcome. If it’s unwelcome, it’s still there but there are other aspects of my character that may step to the fore at such times, no less honest, and which may be called upon to broker a continuation of the opening and the revelation.

Let me give you an example... (Besu and I teamed here to provide a visual aid similar to what we did a while back for photographer Jack Montgomery, a riff on Nobuyoshi Araki, right...)

24 August, 2008

Fine Arts 102

Switching from photography, in whose bright precincts I have spent most of my slavish devotion to the representative arts, I take you now to the rarefied world of my fellow subversive and friend Sophi, aka Carolyn Weltman, multiple-award-winning figurative artist, flyweight dominatrix, faerie Queen and Her Majesty's Registrar of Secrets-Hiding-in-Plain-Sight.

Our kinky compatriot Jane Duvall inadvertently introduced us by posting a gallery of Sophi's work on her site, into which I'd fallen from a link at my future business partner's site where Jane was guest-bottoming. I was immediately smitten with the toppish impatience revealed in Sophi's drawings and her obvious affinity and intuitive feel for the human form in bondage. I say intuitive because it was immediately apparent that the ropework in her pieces were either purely imaginative constructs or renderings of restraint limited in their potential efficacy only by... well, for starters, physics (e.g., certain troublesome aspects of gravity - as much a problem in art-making as in bondage rigging, apparently).

But apart from such pissant and geekish exceptions these pieces were a revelation. It was clear that Sophi got it, and this at a time when I was having difficulty describing "it" even to myself. I inquired to the proffered email and received a polite reply with the indication that the artist had some connection to New York City...

Within a few weeks I would be accompanying Delano and other fellow rope freaks at the first BondCon in Queens. By then Sophi and I had developed a dialogue and she had allowed that she would be on West Broadway in Soho presenting her wares on dates when I would likely be showing out-of-towners a bit of my home turf. I found her holding court under an umbrella and surrounded by a bottomless wealth of erotica, all of her own devising. We were chums as of the first embrace.

Among the first of my entreaties to her (for I was at once extraordinarily admiring, turned on, inspired, but largely mystified by her work) concerned her faces, or the lack of them. While her figures were delightfully amplified in irregularity of torso, extremity and mane, not a one of them had but the vaguest hint of physiognomy. In my journal entry for that night I quoted Sophi as asking me "Well, dear Mac, who would you have them be?" Who, indeed. My rumination on that point would end up informing much.

Over the years I have modeled for Sophi on numerous occasions, elaborating on my long experience sitting for life drawing classes. The results have varied from merely excellent to world class. One of our collaborations (a drawing of an exercise Fakir Musafar reminds us is traditionally referred to as a lingam pendulum, right) hangs now in the permanent collection of the Kinsey Institute. In the leading rôle is a glass block that still haunts Sophi's studio and still makes a good story when visitors call.

Fin and I have modeled together as well, most recently logging 25 images over many sessions for Sophi's contribution to the soon-to-be-released Mammoth Book of the Kama Sutra. As a fond interpreter of sadistic self-expression I can vouchsafe that most severe erotic torture is wholly inadequate to more than even a few short minutes holding Utthita-uttana-bandha so it can be drawn. Still, by all means, do try this (and everything else you see in this very well-done book) at home - just keep moving.

With as many years as I've been back in NYC I've had the faith and confidence of this most dear friend to participate in her art and way of world-making. The record is large - much more than could ever be done justice here. I'll be posting more of Sophi and about our connection in the near future.

07 August, 2008

Ring Around the Collar

The cards and letters keep coming...
I am having trouble figuring out BDSM culture... I'm very interested in collaring and wonder if you've ever collared a partner or participated in the ceremony, or can tell me more about the symbolism and so forth. I don't even know what I would wear with a collar! How for example did collaring become special in BDSM? Also, do you have anything you can say about wearing a collar in mainstream society? Obviously I know you don't wear one, but maybe you know people who do.
This from someone who stumbled into kink through association with an artist friend we have in common. I've not heard of what progress she's made in her experiments, but elaborating on my reply to her for posting here has been interesting.

I understand that as a novice the norms and mores of the "culture" should be of exceptional interest, but what I think I know on this front is likely of very small value to someone for whom the interest is keen. Many years of exposure to and participation in (to varying degrees) the club, porn, house, Internet, fine art and political BDSM scene has lead me to surmise the following with respect to norms in BDSM and that which, within the framework of an interpretive apparatus, would identify it as a distinct culture: they are the very norms that identify the larger culture from which they emerge, merely amplified.

Let's consider the example of collaring. When two people avow to one another that between them a commitment to one another obtains, it is customary in the West for this oath to be materially symbolized somehow. In my business I use contracts - legally defensible though they may be, they are in fact merely betokenings of a common understanding. In trade, value is expressed via money, which, like a spoken word, has no intrinsic value other than that ascribed to it by the receiving party; even gold fluctuates daily with respect to the perception of its worth.

In marriage, we use rings, a convention which, as I understand it, emerged from Egypt and is symbolically derivative of the Uroboros, the serpent consuming its own tail and symbolizing the pelastrational nature of integration and assimilation (see Mysterium Coniunctionis by C.G. Jung). Moving forward a couple of millennia, the Romans had culturally calibrated the ring symbol as representative of value, and employed expensively tooled rings of precious metals as trade goods in marriage - the wedding band was regarded as a legal agreement expressing ownership of its wearer, i.e., the woman. Arguably, we preserve more of our current cultural, civic, intellectual and social cues from the Greco-Roman tradition than have persisted from the high era of the Pharaohs.

Even in our modern age we speak of "taking" a mate, and wedding bands are looked to as symbols of "goods" that are "spoken for". I never remove my band, and it is frequently a topic of conversation with partners who are eager to plumb the meaning of the ring as I've perverted it. Even among long-time kinky people there is often the residuum of cultural conditioning regarding possession and its symbols. One learns about one's kink on the tricky terrain of intimacy - through vulnerability, openness and the making of mistakes, false assumptions, or sometimes going 'round in circles (or, if you're lucky, in the making of circles, such as dear A. below - ed.).

In that accelerated world, the lessons come more quickly, more clearly and often more extensibly. This is how it is, I think, that kinky folk tend toward the somewhat more polite and decorous end of the spectrum in the broader cross-section of society. Again, not different so much as simply amplified.


A collar is, to my thinking, merely a variation on the same theme, albeit amplified to an unambiguous degree, whereas the ancient meaning of the wedding band has been diluted by years and the general principle of democratization. Collaring is something we do with our pets, a factor in our lives our laws tell us we "own" and for which we are responsible. I expect the pervy world to keep pace with whatever most clearly and most subversively represents unambiguous commitments (which, of course, are every bit as fragile over the long haul as any commitment expressed elsewhere in society), be it collars or something else. That it be openly defiant or contrary to convention is definitionally its perversity.

Personally, I find collaring symbolically facile. In far more recent times metal collars and chains were expressive of ownership and were also punitive instruments, as they are still. Yet, today, the wearing of metal chains about the neck is not merely fashionable, it's practically uniform. The more bombastic and aware of the Gangsta community here in Brooklyn openly declare the wearing of heavy metal chains about their necks as the subversion and appropriation of a potent symbol from the habit of their historic white oppressors. It is apt, therefore, that proper white society should look upon black "bling" with distaste and discomfort, for it is emblematic of pain white visited upon the body of black on these shores. In much the same spirit the word "nigga" is now exclusively the dominion of black-on-black communication. There is no white person still standing who does not appear a knuckle-dragging cracker should the word escape his lips with any sense of conviction.

Given that most kinky folk come from solidly middle class circumstances and would not be thought "oppressed" in any conventional sense of the term, one wonders about the subversive value of the collar, or what exactly is being defused through reappropriation. This is true for all symbolic expression in kink. The psycho-historical aspect to kinky expression may not be as labyrinthine as Gangsta culture, but then again, perhaps it is. Another way of looking at the issue may be to follow the path backward to what the dominant culture identifies and endorses as normal, and see how behaviors someone such as myself (a scion of middle class comfort if ever there was one) practice (and even call sacred) emerge from that so-called normalcy. In the end, all subcultures end up being commentaries on that of which they are derivative.

15 July, 2008

No Hesitation

I'm into this idea that all one's drives in life converge to produce the bizarre amalgam that ends up being the unique contribution we leave in our wake, whether we know of it in life or not. The phenomenon is something of a longhand version of how an identity gets formed - and formed in this instance is to be firmly understood in the past tense, since identity must necessarily remain incomplete until we die. The shorthand version of identity formation is largely, maybe entirely, a fantasy - one that has the ready potential to expedite the final accounting of death.

Some readers will see my enthusiasm as a extension of my developing position on the philosophical and practical futility of identity-making, individuation, selfhood and such other notional work-arounds to the empyrean pleasures of unity. Still, in the same way that we use the grant of a life to work falteringly back to the wisdom with which it was originally endowed, that being a merging out of and back into unity, the stuff of life flows like water in the direction of convergence.

The stuff of my father's life was many sided and resistant to convergence. He was educated as a musician, spent a short time in radio, was a waterman and ultimately surrendered all of his art to the making of his family and a solidly remunerative profession. His profession offered nearly no space for his art, so it emerged from him at home, usually when things were most difficult for him personally, and only in small snippets. In summer he would take every opportunity to putter about the harbor rooting for little necks and cherrystones, drop hand lines for flounder or cast for bass. He also spent 20-odd years perfecting a short nocturne a few notes at a time, going through two pianos in three decades before he died in his early fifties of nothing in particular (and everything generally). One of his last delights was to meet Fin and have her translate the Marlene Dietrich songs he'd listened to since the 50s.

I have wondered over these past two decades since his death how much the fencing-out of his art contributed to the shortening of his time on earth, for his line was and is still pretty long-lived. As great, present and dutiful a dad as he was, and as much as he indulged all his children's artistic dalliances, he didn't permit himself the same life-giving tonic. I recall a pervasive air of frustrated self-regard marking his death most clearly, and if I preserve a sense of my father's identity at all, meaning the one that he left at the end, however inadvertently it would be that of a frustrated artist.

One of the signal happinesses of my life has been the convergence of so many of my drives and passions. Even those that don't clearly flow into others at least do not dam the general progress and merging. Not so long ago I might never have guessed that bringing what one does together with who one is could be so important. Until I stirred my pathological fondness for aesthetics with the latent artistic impulses of my life's partner, seasoned that generously with the unstinting visions of countless other creatives and wrapped the entire fecund lot in the old news of my kink, I might as well have been half alive. I don't doubt that I would have been a great candidate for that vague ennui so characteristic of our age and culture, and so characteristic of my father's last years.

The unexpected result of all this fiddling was a new and deeper channel being carved, one in which my remunerative work modulated to accomodate itself to a broader vagueness, a more refined uncertainty, permitting chance opportunity and movement while at once, apropos this journal, finding its locus around a single thread.

Of the chance opportunities there have been many in the fine arts. In the coming weeks I will be posting some betokenings of my collaborations with a artists here in NYC and elsewhere whose work I esteem well beyond my association with them.

08 July, 2008

The Tolerance Fallacy

I was talking with a Dutch acquaintance, Sabine, the other night and she summoned to our conversation several of the topics to which I've paid disproportionately much attention in this journal. She is in NYC looking into the BDSM and burlesque subcultures to develop material for a series she hopes to do over the next year on these and related topics for Het Parool, a daily in her native Amsterdam. She also produces for several television news/cultural outlets and will perhaps be returning next spring for a longer stay and some filming. She would like to do a segment on shibari rigging, so I gave her particulars for friends Bob and Chantal at Ropemarks, an Amsterdam-based site of very high quality. I spent a lazy, hot afternoon shortly thereafter perusing some of the Dutch sites and articles she'd rooted out regarding BDSM, seeing how much Dutch I could make out with my German and leaving the rest to Google.

In chatting with Sabine I was once again taken with the extraordinary tolerance of Europeans, and of the Dutch in particular, although much of our conversation went in the direction of assimilation problems among the Muslim population in Holland, the murder of Theo Van Gogh, and how much tolerance counts as enough ("Genoeg is genoeg" to quote Sabine). The very notion of tolerance itself provoked some insightful dialogue, as we determined that it is predicated on objection, and thus implies stratification or a moral hierarchy. Tolerance is very precisely not acceptance (which assumes a equality and perhaps even incorporation), and certainly there is something unacceptable (in the West, at least) about religious vendettas and homicidal rampages, such as the events prompting our consideration of the subject.

Apparently the Dutch (like the rest of the EU) are talking a great deal about the requirement (nearly codified by the scuttled EU Constitution and most recently in the ill-fated Lisbon Treaty) that the European polis practice tolerance while their immigrant populations suffer no obligation to accept the communities and structures that welcome them. It is an interesting historical moment for the founding members of the EU, especially the political classes, who are suddenly beset by their own double standards, and it is a difficult time for the left (my tribe), having discovered their presumed standard bearers to be more than a little interested in conserving the segregated status quo.


Happy-faced shibboleths, much less legislation about tolerance never settled any issue (e.g., kink, homosexuality, religion, race, etc.) that high minds (e.g., governments, political organs, social movements, etc.) would have them do in a high-minded way. Tolerance is a very dangerous thing to teach, for embedded in its curriculum is the concentration of a moral objection to the tolerated, one that in the granting of the tolerance serves merely to dignify antipathy and open the divide that much wider. As a pervert I can much more readily abide open enmity than sniffing tolerance, meaning: accept me or don't, but be clear. As Europe is learning, tolerance only exacerbates existing frictions.

Living as I do in the priciest third-world country on the planet (Brooklyn) I have a somewhat refracted view of cultures mingling, and tolerance here is in short supply. What happens in Flatbush does not stay in Flatbush, it moves out onto the land and is finally and fully assimilated (flattened) into the level playing field that is still (at least in some measure more than most of the rest of the world) America. Remember when no one in Dubuque had yet heard of hip-hop? Disco? Bay Ridge? And that's just cultcha (such as it is). New Yorkers are anything but tolerant; we're impatient, dismissive, entitled and self-important, but no more so than we think you are.

This city is an arcade of freaks (of which your correspondent is happily one), oddities, revolutionaries, capital concentration and preposterous creative energy because New York does not condescend to tolerate, it does not care about your identity or the terms under which you insist upon your segregation. Quite predictably it gets attacked a lot by moralists; some with bibles, others with laws, still others with the occasional spectacular slaughter. As this lively pool of seething intolerance continues to accept and incorporate humankind's best creative energy alongside the worst body blows the high-minded can heave at it, all without skipping a beat, the high-minded will uselessly persist in legislating and imposing its agenda for my behavior. I personally don't have a lot of tolerance for that.

22 June, 2008

Help, Help! I'm Being Oppressed!

The engendering of humiliation characterizes the practice of hojojutsu and other inchoate forms of what would become shibari, and is implicit in what was the seed of shibari's own transformation from a martial into an erotic practice, and perhaps into something even more profoundly useful.

On the face of it, being bound is humbling since the unbound party is assigned the manifest power in the equation. The way in which we perverts temper the politically awkward fact of a power gradient obtaining between two parties is to call it a "power exchange", but there's no getting around it: one person humbles, and hence humiliates, another. What I would like to counterintuitively assert here is that a humbled state is about as close to the possession of pure power as any person can hope to achieve in life.

It has always been possible to subvert the will of a presumptive controlling party by creatively appropriating the presumed (sometimes ceded) mechanism of control. Thus, for example, has the word "queer" lost all of it's force as invective. Consciously surrendering to humiliation and degradation, to being apparently reduced and controlled by another, is the difference between being empowered and being oppressed. This idea is both the fulcrum and the lever of consent, and like those two basic machines there is practically nothing that consent cannot move.

All mystical traditions recognize that oppression is an optional state. Christ did nothing to resist the cross; in fact he actively sought the harshest of judgments from Pontius Pilate and the Pharisees. He was not oppressed in the slightest - rather, he was impassioned, humble and went down willingly to the grossest of abasements. He loved his enemies (and I have to doubt he thought of them as enemies). Had Christ indeed permitted himself to be oppressed by his oppressors he would then have likely have been forgotten along with every other Jewish carpenter named Jesus from the Galilee of his era. That he (as the tale is told) gave himself, that Christ surrendered, is what is remarkable about the man. A few hundred years before Jesus became the Christ, Siddhartha Gautama was born a prince, surrendered to humility and became the Buddha. Among the liberated community of our own era, the stories of Nelson Mandela, Václav Havel, Aung San Suu Kyi and countless others bear out the maxim that oppression is optional.

It's a bit more difficult for me to come up with an argument for oppressive practices other than bondage (say, whipping) being transformative in the direction of liberation (maybe I'll have a go at that sometime - the flogging scene in the movie Glory springs to mind), but I don't doubt that the same principle applies. Tying someone up looks to a tyrant like a ready means of reducing what it means to be a fully realized human, so the tyrannical community reliably adopts physical restraint as one of its tools. The liberated community knows in its bones that such behaviors are gestural, impotent and ultimately futile.

Given, however, that consciousness first blinks on in a monadic cosmos where all data points to our being all and one with Everything, that is, in a flawless state of union with the principle of creation, the perversion of physical restraint into eroticism is a small leap. Between the bottom of our hearts and the backs of our minds we already know what our deepest nature is and that it is continuous with the whole of existence. We come to consciousness both enlightened and tightly constrained, our fledgling senses accommodating only the toroidal nature of the womb. It is a comfort, a state of knowing without thinking, from which Freud observes we part only reluctantly. An atavistic impulse to return to the perfect state of satiety and unity is associated in earliest consciousness with being in a tight spot, understood as such only a posteriori, and certainly distinguishable from the open and vulnerable physical and psychic space we come to view as our world.

A commonplace about enlightenment is that separation and individuation are finally understood to be falsehoods, and so the inevitability of death is cast in a wholly different light, one unpacked of fearsome meaning (or any meaning at all, actually). To really live then becomes what Kant, in his consideration of the Sublime, liked to call Zweckmaßigkeit ohne Zweck, (purposeiveness without purpose). Alfred North Whitehead noted in his Function of Reason that the precise purpose of authentic inquiry is to be purposeless. At the edge of experience purpose is understood by scientist and mystic alike to be a mental, egoic construct, one which I suggest endows the entire notion of oppression with its noxious cast.

Indeed, to be enlightened is to fear no evil.

All ecstatic experience (or, again, passion) points to ultimate principles, and orgasm is the one form of ecstasy with which most people will have at least some experience in their lives. We partner-up intending to bridge the divide between at least two individuals, and fucking is largely (and merrily) how we prosecute that intention. So, as a species on at least one thing we're all in agreement: deep relations with at least one other person = good. Extrapolating only slightly from there it's easy enough to infer that deep relations with the whole of creation = even better. Getting sexed-up leads to ecstasy leads to reconnecting for a moment with the Godhead we know from earliest consciousness. Communion with ultimate principles is bred in our bones. Christ, Ghandi, Lao Tzu and nearly everyone else with their eye on the ball tell us more or less the same thing: We are God, we are All, what we think separates us from our true selves is an illusion. Gestation and birth are just metaphor for the state of grace and the fall from it.

(If we already have grace and know the ultimate truth, why bother with getting born and having duality, individuated self-hood, identity and all the other head-fakes of waking life in the first place? What's the advantage? Is the Universe in the business of squandering perfectly good creative energy?

The appearances of life have their own grade of cosmic import and are yet another topic to be considered another time.)

The physical constriction of bondage is a ready return to the antecedent state of grace. In getting tied up under a consensual, surrendered framework it's relatively easy to transform the intention of someone interested in controlling your freedom into a free ride to satori. Doing that allows the power gradient to shift immediately in the direction opposite to what is normally assumed, and tyrants need not apply.

Advantage: Bottom.

03 June, 2008

Shutting Up and Shutting Down

Not so long ago, when I thought I knew something, I was wont to suggest that, once I’d relieved her of use of her extremities, the one remaining way a woman could get to me was with her voice.

I’m a big guy, 6’4” or so, and I still press my high school weights. I don’t concern myself overly much with physical threats, which may sound like my ego speaking but I don’t think it is. I’ve not been in a lot of fights in my adult life simply because I don’t look like a good bet to lose. As I was growing to manhood, however, there was always one thing that could reduce me to a quivering blob of spineless gristle, and that was feminine verbal rejection. No matter what subtle erotic machinations I would deploy, a careless word could be the final word in confidence subversion.
I’ve already noted that I was a bit slow on the uptake of bondage porn, so I was equally slow to learn that there could be such a thing as an effective gag. Even when I made the move to rope I thought gags were kind of ornamental, something to enhance a bottom’s feeling of helplessness rather than actually keep her from impugning my swagger and technique. When finally I became competent in the area I realized that enforcing silence was a consummation of the power granted me, and my poor ego was safe from the kind of withering indictment only woman’s lips could utter (just for the record, the disciplinarian in my family was my father – my mother was rather a cipher in the behavior modification department, and not the chatty sort. Thus do I part company with Dr. Freud).
What I thought I’d figured out was not merely my attraction to a well-constructed and applied gag, but what must account for its popularity as bondage bijou. If she’s gagged I am fully protected.
(It’s interesting to think of bondage as a means and a metaphor for protecting one’s self, and in that light it’s curious (and paradoxical), really, that among tops there appear to be comparatively few women attracted to doing bondage. One of them, my dear friend Suze, has written an authoritative compendium on gagging (and blindfolding) from the perspective of one who loves applying them and having them applied.)
There is, of course, more than one way of conveying disapproval, and after verbal condescension the eyes are the most verbose organ of communication. The principle above applies to the eyes and their quieter furies in the form of a blindfold. Thus did I for years make a case to myself for completely obscuring the faces of women I loved and in whose eyes and voices I’d otherwise be blissfully content to lose time and any thought of visiting upon them the sorts of privations lurking in the more lawless precincts of my consciousness.
That’s what I thought I knew.
In recent years, through more concerted and intense play, I’ve come to a different view of things having more to do with the way in which I’m relating when I am fully in control. And relating is a weak word – merging is what I’m talking about here.

There is a line of reasoning regarding erotic objectification which I towed for a while in my right-on and callow youth which stridently opposed the transformation of woman from an individual and distinct personality into an object of gratification (of any sort). I did labor under this doctrine and others with respect to my kink, but have thankfully attained some equanimity with the advance of my years and consigned such cant to the wasteful pleasures of immaturity. The truth was and is that I do make out of my loving partners objects for my enjoyment, and in no way is this more clear than when I remove from my own view the betokenings of their character and personality as revealed in their physiognomy.
I might take up the matter of conceptually individuated self at some point in the future, but suffice it here to say that I don't set much stock by it as a point of physics or philosophy. Philosophy especially has spent a disproportionate share of its creative energy attempting accounts of self-hood with generally unsatisfactory results. A concept of self may indeed be required to elaborate an intelligible meaning to our lives, but intelligibility is not (to me at least) the end all and be all of existential legitimacy, nor would I argue for the necessity of my own existence because I've figured out how to be intelligible to myself (I haven't - with all due respect to Descartes, I am, therefore I think, not the other way around). Intuitively, I feel more aligned with the possibility that distinction and individuation are useful intellectual canards, that all is one solid block of reality, and that the world view of humble neutrino has much to recommend it.
When I look into a lover's eyes I see capital H Her. When I hear her voice, I hear Her. I sense the person to whom I have an attachment, whom I love, upon whom I visit my depredations and deep musings. When I remove from my senses who she is as separate from me I loose track readily of Her as individuated from me (or Me) and the boundaries between us soften that much more. In the most perfect of instantiations I fall fully into her and she for her part takes full receipt of me. There ceases, however momently, to be a her and me and I see that essential facet to intimacy wherein self is absent and the two of us cease to exist.
I glimpse something powerful and normally remote in this. Fully compromising all of who she appears to be is not necessary, but it is close to sufficient to engender the shift out of my own ego (what my dear Besu calls the "racket") and into a higher order of experience. In sacrificing individuation and becoming a gateway she absorbs me more completely than is possible when I cling to notions of my self and her self.
If the point of love is something other than to merge, to shuffle off the constructed facade of Me and be completely vulnerable, I cannot imagine what that might be. The trappings of SM, bondage, gagging, blindfolding, and such, just accelerate this. When I am most in love I am precisely that, in love, lost, really, to who I am, to where I begin and end.
(Cartoon courtesy of Dave Annis at rope-bondage.com)